By Barbara Adrian

ISBN-10: 1581156480

ISBN-13: 9781581156485

* person, accomplice, and workforce workouts to make any actor extra expressive
* an important appearing assistance in accordance with the paintings of distinct theorist Rudolf Laban
* sixty five unique illustrations of anatomy and warm-up exercises

This in-depth, totally illustrated consultant bargains a groundbreaking method of knowing actual and vocal circulation that might allow readers to find the way to maximize their strength. choked with functional routines for people, companions, and staff paintings, this ebook integrates voice, speech, and circulate. routines for breath help, tone, diversity, articulation, dynamic alignment, stability, flexibility, energy, and stamina, in addition to construction relationships, Actor education the Laban Way is key analyzing for all critical actors, appearing academics, and students.

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Extra info for Actor Training the Laban Way: An Integrated Approach to Voice, Speech, and Movement

Example text

The precise movements of the articulators required a meticulousness that built strength and flexibility into my speech muscles. However “old-fashioned” the system was, what I learned then and what remains with me today is: speech is movement. Modifying the system for today’s actors became the first step toward accomplishing my desire to integrate voice, speech, and movement. Modifying it meant finding a balance between the rigor of the muscular activity of the articulators for speech and the “modern” psychological approach to voice.

Likewise, the bodywork attached to voice training seemed very general and was subservient to the voice work. I wanted a process whereby voice, speech, and movement were treated as equals in service to each other. Relative to teaching voice and speech, I purposely sought positions where I could advocate for and teach them as one component. I was doggedly determined not to be the “voice lady” or the “speech lady”, and I continued to believe that movement was critical. Consequently, I began to experiment with supporting voice and speech training with movement.

Hyoid bone 6. Thyroid cartilage (Adam’s apple) 7. Occipital bone #15 and 16 Depiction of muscles that connect the hyoid bone to the thyroid cartilage, head, jaw, chest, and scapula. #17 Masseter muscle Illustrations 14, 15, 16, and 17 Anatomy for Speech 1. Lips* 2. Teeth* 3. Alveolar ridge* 4. Hard palate* 5. Nasal passages 6. Soft palate* 7. Uvula 8. Tongue* 9. Epiglottis 10. Vocal folds 11. Trachea 12. Esophagus 13. Spine 14. Mandible* *Articulators Illustration 18 #19 The Mouth 1. Lips 2. Teeth 3.

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Actor Training the Laban Way: An Integrated Approach to Voice, Speech, and Movement by Barbara Adrian


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