By Mark Christiansen

ISBN-10: 0321316207

ISBN-13: 9780321316202

Able to examine the visible results secrets and techniques used at such modern studios as commercial gentle + Magic and The Orphanage? Adobe After results 6.5 Studio options conjures up you to take your paintings to the subsequent point with realworld examples and insider strategies. Get blockbuster effects with no the large funds as you delve deep into the essence of visible results. This e-book is going past traditional step by step guide, educating you bread-and-butter results so that you can adapt and mix for numerous tasks. genuine suggestions from genuine execs: no one does it greater, and now they're going to exhibit you ways. become aware of the keys to interpreting your pictures from Stu Maschwitz, visible results manager for famous person Wars, Episode One and Sin urban. liberate the mysteries of linear colour house with Brendan Bolles, co-creator of the eLin plug-ins. grasp basic results concepts with Mark Christiansen, After results professional for The Orphanage at the Day After the next day to come. Compositing necessities: irrespective of how subtle the influence, all of them begin from a similar development blocks. discover what you have been lacking approximately colour and lightweight matching, keying, movement monitoring, rotoscoping, operating with movie, and extra. complex concepts: Your aim might be results so reliable that nobody notices them. From sky substitute to explosions, from smoke to fireplace, discover ways to deliver your pictures to lifestyles and improve scenes with out somebody ever understanding what they are seeing is not a hundred% actual. significant other CD-ROM: expert instruments produce specialist effects. Demo models of plug-ins from Andersson applied sciences, crimson large software program, Frischluft, and Trapcode will increase your paintings. cease hoping on ready-made recommendations and pre-built results. easy methods to increase and customise your personal results with the instruments at handyou'll be surprised at how far better the implications glance!

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13. Context menus are everywhere and very effective. Context-click the tab of your Timeline window, and you will see very different selections than if you context-click a layer in that window. And depending on whether that layer is a camera, a solid, or footage, you will see different options, as well. Section I: Working Foundations 31 32 Section I: Working Foundations Keeping Sources Linked If you've been using After Effects for any amount of time, you understand that it is a nondestructive application that edits pointers to source files but has no way of editing those files directly.

It's usually good to keep the resolution (highlighted, right) matched to the current magnification setting (highlighted, left); that way, you don't overrender for the view you're using, given how typical it is to work with film resolution footage at 50% until it's time to render. This setup allows four times as much data to fill a RAM preview, and preview renders are created in a fractionsometimes one half or, in extreme cases, one tenthof the time required for Full resolution, which is reserved for cases in which it is necessary to zoom in and look closely, and for final render preparation.

If you don't need the elements ready to go as layers of a composition, however, I would forego this option because it makes editing and updating the source trickier. Each layer becomes a separate element that must be updated separately, and it's wasted effort if you're never editing the associated composition. Composition Settings There are two relatively sure-fire methods for ensuring that your composition settings are exactly as they should be: • Use a prebuilt project template that includes compositions whose settings are already correct.

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Adobe After Effects 6.5 Studio Techniques by Mark Christiansen

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