By Christian Darkin

ISBN-10: 1430251492

ISBN-13: 9781430251491

ISBN-10: 1590591631

ISBN-13: 9781590591635

So you may have a replica of After results and an idea of what this expert movement pix and results instruments can do...but what are you able to quite do with After results? How a long way are you able to push it? What are the simplest results for you to create? What are the fundamental talents and strategies you should fairly make your creations stand out?

After results so much Wanted solutions those questions in a clean and functional approach. a large choice of initiatives, the unique artists inform you why, and precisely how they created their masterpieces.

The authors, all pros who use After results to make a dwelling, proportion with you the secrets and techniques in their successes and expand past that to offer you the explanations why they did issues the way in which that they did.

Moreover, the accompanying CD has their creations on hand at your fingertips and the straightforward, step by step directions within the e-book exhibit you ways they created those pieces.

The initiatives lined are different, from a thought-provoking paintings via popular and debatable artist Simon Tsyko, a piece featured by way of Adobe of their movement gallery, to a tv advertisement for McDonald's and Coca-Cola through Peter Reynolds.

Other authors contain: Joost Korngold (www.renascent.nl) and Chris James Hewitt, whose Relokation Ne is the featured paintings at the BD4D (By Designers For Designers) site, Christian Darkin, a electronic video journalist and writer, and Mark Towse, who bargains items, one for television and one for the cinema.

Without lengthy, redundant discussions of instruments and alertness programs, After results so much sought after is a booklet that can provide the strategies, talents, and results that might allow you to carry your creations to life.

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Apply the Re-Flex Warp filter to the second clip and then alter the order of the masks, so instead of pairs of 1 'to', 2 'from', change the layer order so that you have 2 'to' and 1 'from'. 9. Now, instead of animating percentage warp from 0 to 100, changing your start and end keyframes from 100 to 0. You don't need to set Opacity keyframes for the second clip. Make sure the second clip is stacked underneath the first (if it isn't already) as you aren't going to see the cross fade with a 100% opaque clip over the top of another!

Well I do anyway).

In the end we plumped for a track that one of our DJ friends had been mixing, which the lovely lad let us have the rights to use - a fairly hard slab of techno. Given that. we figured the background couldn't j ust be animated, it had to go with the music and really make the screen come to life. Everyone has seen the analog lines or dots pumping to the music in some clip or other, but what could we do that would really make things start j umping? We figured that if we blended one of the analog line settings in the audio waveform with the background.

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After Effects Most Wanted by Christian Darkin


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