By April Shemak
Delivering the 1st interdisciplinary learn of refugees within the Caribbean, primary the United States, and the USA, Asylum audio system relates present theoretical debates approximately hospitality and cosmopolitanism to the particular stipulations of refugees. In doing so, the writer weighs the questions of fact valueassociated with a variety of modes of witnessing to discover the functionality of testimonial discourse in developing refugee subjectivity in New international cultural and political formations. by means of reading literary works via such writers as Edwidge Danticat, Nikl Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodr¡guez Milans, theoretical paintings by means of Jacques Derrida, Edouard Glissant, and Wilson Harris, in addition to human rights files, executive files, images, and historic stories, Asylum audio system constructs a fancy photo of recent international refugees that expands present discussions of diaspora and migration, demonstrating that the peripheral nature of refugee testimonial narratives calls for us to reshape the limits of U.S. ethnic and postcolonial reports.
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Additional resources for Asylum Speakers: Caribbean Refugees and Testimonial Discourse
S. asylum process. The film demonstrates the power and force of a poetics of hospitality as the asylum interview becomes the site of hospitality as does the testimony of the applicants. The film follows Romanian, Albanian, Chinese, Haitian, and Salvadoran asylum seekers. In some ways, the film’s account of the asylum process complements Danticat’s written account of her uncle’s case, yet it is also important to note that the film was shot in the late 1990s and released in 2000, before the events of 9/11 imposed the drastic strictures that Joseph Dantica encountered in the asylum process in the United States.
Such assertions are particularly significant when testimonial speakers attempt to recount urgent experiences of atrocity, torture, and genocide to their readers. Testimonios often recount conditions of homelessness—whereby the home nation is in a state of distress or dysfunction because of civil war, totalitarian regimes, and so on—that refugees seek to escape. ”96 Refugees face a similar task of conveying urgency and unlivability in the nation of origin in order to gain asylum. Testimonios are thus narratives about the search for sanctuary, which may come through the telling of an experience of persecution or the creation of solidarity with readers.
I contend that it is necessary to “trespass” across existing methodologies to interrogate the formations of literatures of the Americas in their multiple locations throughout the hemisphere. I readily concede that this kind of trespassing can be risky with the danger of misinterpretations and lack of “expertise” and understanding, but much is to be gained in doing so. Refugee narratives require that we move outside our epistemological comfort zones to fully address the cultural ramifications of both the historical events of the past that have shaped the hemisphere and the contemporary events of the present that will shape the future.
Asylum Speakers: Caribbean Refugees and Testimonial Discourse by April Shemak